A Coney Island of the Mind
When I was in ninth grade, with extremely frizzy hair and a strange sense of style that only the early aughts could produce, I met a librarian who told me about poetry. It was a simple breakthrough in my life of books.
This librarian helped me finish an assignment for my honors english class one afternoon at our town's public library. She also serendipitously told me I should I read Lawrence Ferlinghetti's A Coney of the Island of the Mind, too.
Up until that point, I'd really never had an adult show me the good stuff in reading beyond me stealing my mom's Oprah paperbacks. It ushered in a desire not just for poetry but for all kinds of books I'd hadn't been thinking about.
I loved Ferlinghetti's anti-classical form instantly, how what he wrote spoke to feelings I'd had about living in our times even if we experienced different Americas. He was nothing like the sonnets we were learning in class. I didn't need to track his literary devices. I didn't even know who or what the beats were, but I felt like I could actually read what he wrote.
I bought his book on my own after returning that library copy. I never really loved Kerouac or the other beats after that. It was always A Coney Island of the Mind for me.
Even today, I think about his style, especially in this weird time and place in the world. I still have my copy that I move with me from apartment to apartment. Once in San Francisco, I stopped in City Lights hoping I'd get a sighting of him. Maybe I will someday.
(excerpt from I Am Waiting, Lawrence Ferlinghetti)